1952. The radiant City of Marseille receives its first occupants, eighty civil servants compensated from war, coming from four corners of France. Upon arrival, the couples explore the location, facilities and space allotted to them, responding to the new habitat with its uniqueness and details.
Meryll Hardt’s impressive and Tati-esque short documentary has an architectural slant, its inorganic setting built from solid colors, oppressively clean-cut lines and rigid edges. Not quite ruin-porn, it provocatively theorizes modernity (that is, the 1950s) as a nightmare of geometry.
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Juan José Campanella, 2001, Argentina
Charlie Chaplin, 1916, United States
Jem Cohen, 2012, Austria
Vittorio De Sica, 1964, Italy
Atiq Rahimi, 2012, France
Vsevolod Pudovkin,Nikolai Shpikovsky, 1925, Soviet Union
Jean-Pierre Dardenne,Luc Dardenne, 1999, Belgium
Kim Ki-duk, 2000, South Korea
Benny Safdie,Joshua Safdie, 2009, United States
Silvio Soldini, 2010, Switzerland
