A filmmaker creates a character from fragments of her favorite international cinema stars and then presents a non-linear story of her own life. As she recycles excerpts from over 180 movies—including Paris, Texas and Buffalo ’66—the filmmaker reflects upon her identity and memory.
The simple premise of this unique, female self-portrait—a search for one’s self through faces, dialogue, and images from films—becomes a complex exploration of identity and its construction through others. This work is a mesmerizing, empathetic kaleidoscope of cinematic appropriation.
New Zealand
Australia
Canada
Latvia
Azerbaijan
United Arab Emirates
South Africa
Argentina
Nigeria
Bangladesh
Vietnam
Egypt
Saudi Arabia
Philippines
Pakistan
Iran
Jordan
Hong Kong SAR China
Israel
Portugal
Mexico
Japan
Russia
Brazil
China
Indonesia
Poland
Ireland
Singapore
Finland
Norway
Denmark
Sweden
Belgium
Italy
Thailand
Spain
India
South Korea
Turkey
Malaysia
Togo
Trinidad & Tobago
Libya
Jamaica
Bahrain
Nicaragua
Slovenia
Niger
Kyrgyzstan
Mali
Uruguay
Georgia
Panama
Madagascar
Qatar
Malawi
Rwanda
Puerto Rico
Croatia
Honduras
Burkina Faso
Moldova
Palestinian Territories
Bosnia & Herzegovina
Paraguay
Zimbabwe
Bulgaria
Senegal
Lebanon
Zambia
Bolivia
Cambodia
Cameroon
Cuba
Mozambique
Serbia
Syria
Nepal
Guatemala
Dominican Republic
Congo - Kinshasa
Belarus
Sri Lanka
Hungary
Yemen
Greece
Switzerland
Czechia
Kenya
Tanzania
Ecuador
Uganda
Côte d’Ivoire
Sudan
Romania
Kazakhstan
Chile
Peru
Netherlands
Myanmar (Burma)
Uzbekistan
Iraq
Ethiopia
Algeria
Venezuela
Taiwan
Morocco
Ukraine
Colombia
Slovakia
Costa Rica
Oman
Kuwait
Liechtenstein
Luxembourg
Lithuania
Armenia
Estonia
Iceland
Cyprus
Afghanistan
Tunisia
Austria
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Leslie Lagier, 2010, France
Heinz Emigholz, 2005, Germany
Christoph Schlingensief, 1982, West Germany
Michael Snow, 1974, Canada
Raúl Ruiz, 1986, France
Pere Portabella, 2016, Spain
Walerian Borowczyk, 1984, France
René Clair, 1924, France
Amos Gitaï, 2009, France
Lav Diaz, 2012, Philippines
