My interest in the individual frame as constituting the core of filmic creation finds expression in Ballett 16. Here, 256 frame enlargements of a continuous dance movement were dissected into 16 segments, each consisting of 16 frames.
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Esteban Sapir, 2007, Argentina
Luis Buñuel, 1930, France
Guy Maddin, 2007, Canada
David Lynch, 2006, United States
Gaspar Noé, 2002, France
Lars von Trier, 2003, Denmark
David Lynch, 1977, United States
Alain Resnais, 1956, France
Chris Marker, 1962, France
Mickael Kummer, 2007, France