Peter Tscherkassky’s latest epic is a sly comedy that mines the relationship between early cinema and the avant-garde by way of advertising.
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Joris Ivens, 1966, France
Christoph Schlingensief, 1977, West Germany
Heinz Emigholz, 2005, Germany
Clément Michel, 2008, France
Stephen Quay,Timothy Quay, 1986, United Kingdom
Pere Portabella, 2003, Spain
Pere Portabella, 1973, Spain
Heinz Emigholz, 2000, Germany
Berthold Bartosch, 1932, France
Randa Maroufi, 2015, France