The hero of Instructions for a Light and Sound Machine is easy to identify. Walking down the street unknowingly, he suddenly realizes that he is not only subject to the gruesome moods of several spectators but also at the mercy of the filmmaker.
Using painstakingly artisanal methods, the Austrian avant-gardist turns Sergio Leone’s The Good, the Bad and the Ugly into a black-and-white celluloid spectacular: his “attempt to transform a Roman Western into a Greek tragedy.” A vividly reactive and highly combustible CinemaScope short.
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Adolfo Arrieta, 1972, France
Alain Robbe-Grillet, 1970, France
Guy Maddin, 2006, Canada
Mario Ruspoli,Chris Marker, 1972, France
Geneviève Hamon,Jean Painlevé, 1960, France
Meryll Hardt, 2013, France
Bill Plympton, 1987, United States
Charlie Chaplin, 1916, United States
Dziga Vertov, 1924, Soviet Union
Pere Portabella, 2003, Mexico
