By chance, the filmmaker accidently superimposed on the same 16mm film stock the architectural portrait of a university in Bogota – a modernist Bauhaus – style brick monument and the portrait of Jenny, a transgender millennial talking about her heroin addiction.
A site of activism and bloodshed, Building 303 was an icon of Bogotà. Now demolished, the university—and its political graffiti—haunts this spectral short, intruding on a portrait of a recovering addict. Laura Huertas Millán’s film is one of ruin and survival, inspired by its “living works of art.”
Lebanon
Zambia
Bolivia
Cambodia
Cameroon
Cuba
Mozambique
Serbia
Syria
Nepal
Guatemala
Dominican Republic
Congo - Kinshasa
Belarus
Sri Lanka
Hungary
Yemen
Greece
Switzerland
Czechia
Kenya
Tanzania
Ecuador
Uganda
Côte d’Ivoire
Sudan
Romania
Kazakhstan
Chile
Peru
Netherlands
Myanmar (Burma)
Uzbekistan
Iraq
Ethiopia
Algeria
Venezuela
Taiwan
Morocco
Ukraine
Colombia
Slovakia
Costa Rica
Oman
Kuwait
Liechtenstein
Luxembourg
Lithuania
Armenia
Estonia
Iceland
Cyprus
Afghanistan
Tunisia
Austria
Azerbaijan
United Arab Emirates
South Africa
Argentina
Nigeria
Bangladesh
Vietnam
Egypt
Saudi Arabia
Philippines
Pakistan
Iran
Jordan
Hong Kong SAR China
Israel
Portugal
Germany
Mexico
Japan
Russia
Brazil
China
Indonesia
Poland
Ireland
Singapore
Finland
Norway
Denmark
Sweden
Belgium
Italy
Thailand
Spain
India
South Korea
Turkey
France
New Zealand
Australia
United Kingdom
Canada
United States
Latvia
Malaysia
Togo
Trinidad & Tobago
Libya
Jamaica
Bahrain
Nicaragua
Slovenia
Niger
Kyrgyzstan
Mali
Uruguay
Georgia
Panama
Madagascar
Qatar
Malawi
Rwanda
Puerto Rico
Croatia
Honduras
Burkina Faso
Moldova
Palestinian Territories
Bosnia & Herzegovina
Paraguay
Zimbabwe
Bulgaria
Senegal
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Guy Maddin, 2007, Canada
Pedro Almodóvar, 2004, Spain
Ingmar Bergman, 1982, Sweden
Alain Resnais, 1956, France
Dziga Vertov, 1929, Soviet Union
Ingmar Bergman, 1966, Sweden
Chris Marker, 1983, France
Pedro Almodóvar, 1999, Spain
Chris Marker, 1962, France
Wong Kar Wai, 1997, Hong Kong
