Auditions are taking place. Men improvise, deliver lines, aim guns, and collapse as if mortally wounded, reenacting the historical account of a revolution. In between, there are scenes of a desert landscape, where three young men who tried to join the Mexican Revolution of 1910 have lost their way.
A reflexive experiment in form that nimbly bounds between historical reconstruction—namely of the Mexican Revolution—and the auditions for said reconstruction. Taking a Stanislavski quote as its conceptual starting point, Killing Strangers makes some playful leaps—from The Beatles to Home Alone.
Malaysia
Togo
Trinidad & Tobago
Libya
Jamaica
Bahrain
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David Cronenberg, 2014, Canada
Pere Portabella, 1972, Spain
Manuela Viegas, 1999, Portugal
Sebastián Lelio, 2013, Chile
Simon Liu, 2019, Hong Kong
Lisa Aschan, 2011, Sweden
Stanislav Rostotsky, 1972, Soviet Union
Pia Marais, 2007, Germany
Bertrand Mandico, 2016, France
Hou Hsiao-hsien, 2003, Japan
