Hatice is a corner toileter stuck among the shopkeepers in this turmoil. She is integrated with her stool and table at the door of the corner toilet and she owns this space as her home.
In a male-dominated bus station, a woman’s silent vigil is unveiled through vignettes in this touching, perceptive film. Much like a painter capturing the untold narratives of her sitters, Neslihan Kültür reveals rich social histories in intimate encounters with marginalized subjects.
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