Matriarchs have assembled around a backstrap loom, a pre-Hispanic technique preserved by indigenous women of Mesoamerica. Unfolding like a weaving of figures and the gestures making up this labor, the film circulates between a domestic space, an archaeological museum, and a weavers’ cooperative.
Produced at Harvard’s Sensory Ethnography Lab (Leviathan, Manakamana), La Libertad dives into a matriarchal universe and knits a rich portrait of female independence. Through the exploration of an ancestral craft, Laura Huertas Millán’s film quietly challenges our idea of freedom.
France
New Zealand
Australia
United Kingdom
Canada
United States
Latvia
Azerbaijan
United Arab Emirates
South Africa
Argentina
Nigeria
Bangladesh
Vietnam
Egypt
Saudi Arabia
Philippines
Pakistan
Iran
Jordan
Hong Kong SAR China
Israel
Portugal
Germany
Mexico
Japan
Russia
Brazil
China
Indonesia
Poland
Ireland
Singapore
Finland
Norway
Denmark
Sweden
Belgium
Italy
Thailand
Spain
India
South Korea
Turkey
Malaysia
Togo
Trinidad & Tobago
Libya
Jamaica
Bahrain
Nicaragua
Slovenia
Niger
Kyrgyzstan
Mali
Uruguay
Georgia
Panama
Madagascar
Qatar
Malawi
Rwanda
Puerto Rico
Croatia
Honduras
Burkina Faso
Moldova
Palestinian Territories
Bosnia & Herzegovina
Paraguay
Zimbabwe
Bulgaria
Senegal
Lebanon
Zambia
Bolivia
Cambodia
Cameroon
Cuba
Mozambique
Serbia
Syria
Nepal
Guatemala
Dominican Republic
Congo - Kinshasa
Belarus
Sri Lanka
Hungary
Yemen
Greece
Switzerland
Czechia
Kenya
Tanzania
Ecuador
Uganda
Côte d’Ivoire
Sudan
Romania
Kazakhstan
Chile
Peru
Netherlands
Myanmar (Burma)
Uzbekistan
Iraq
Ethiopia
Algeria
Venezuela
Taiwan
Morocco
Ukraine
Colombia
Slovakia
Costa Rica
Oman
Kuwait
Liechtenstein
Luxembourg
Lithuania
Armenia
Estonia
Iceland
Cyprus
Afghanistan
Tunisia
Austria
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Stephen Quay,Timothy Quay, 1991, United Kingdom
René Laloux, 1966, France
Heinz Emigholz, 2003, Germany
Daniel Gordon, 2006, United Kingdom
Idalmis Del Risco, 2015, Mexico
Federico Lodoli,Carlo Gabriele Tribbioli, 2015, Italy
Laura Huertas Millán, 2018, Colombia
William Klein, 1978, Canada
Bertrand Mandico, 2018, France
Chris Marker, 1960, Israel
