Andy Guérif adapts the Maestà of Duccio as a tableau vivant: the tale of the Christ’s Passion in twenty-six successive panels, from the arrival in Jerusalem to the road to Emmaus.
Mel Gibson and DeMille adapted the Bible into drama, but it looked nothing like this. Marvel at the French artist-filmmaker’s stunning transformation of the screen into a multi-panel moving image interpretation of the Passion. A moving painting? Video art? Either way, it’s meant to be watched big!
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Lars von Trier, 1996, Denmark
Lars von Trier, 2003, Denmark
Alain Resnais, 1956, France
Gillo Pontecorvo, 1966, Italy
Nikita Mikhalkov, 1994, France
Todd Haynes, 2007, United States
Robert Bresson, 1962, France
Lars von Trier, 2000, Denmark
Orson Welles, 1965, Spain
Paul Schrader, 1985, Japan
