In the darkroom, 50 unexposed film strips were laid across a surface, upon which a frame of La sortie des ouvriers de l’usine Lumière was projected to create a new kind of film…
Stripping the Lumières’ famous first film of its figurative elements, Peter Tscherkassky’s experimental short playfully reinterprets the birth of cinema. The painstaking manipulation of film strips and the exposure process reimagine the medium in its purest form: a dance between light and darkness.
Malaysia
Togo
Trinidad & Tobago
Libya
Jamaica
Bahrain
Nicaragua
Slovenia
Niger
Kyrgyzstan
Mali
Uruguay
Georgia
Panama
Madagascar
Qatar
Malawi
Rwanda
Puerto Rico
Croatia
Honduras
Burkina Faso
Moldova
Palestinian Territories
Bosnia & Herzegovina
Paraguay
Zimbabwe
Bulgaria
Senegal
Lebanon
Zambia
Bolivia
Cambodia
Cameroon
Cuba
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Serbia
Syria
Nepal
Guatemala
Dominican Republic
Congo - Kinshasa
Belarus
Sri Lanka
Hungary
Yemen
Greece
Switzerland
Czechia
Kenya
Tanzania
Ecuador
Uganda
Côte d’Ivoire
Sudan
Romania
Kazakhstan
Chile
Peru
Netherlands
Myanmar (Burma)
Uzbekistan
Iraq
Ethiopia
Algeria
Venezuela
Taiwan
Morocco
Ukraine
Colombia
Slovakia
Costa Rica
Oman
Kuwait
Liechtenstein
Luxembourg
Lithuania
Armenia
Estonia
Iceland
Cyprus
Afghanistan
Tunisia
Austria
Azerbaijan
United Arab Emirates
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Argentina
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Vietnam
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Pakistan
Iran
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Hong Kong SAR China
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Guy Maddin, 2007, Canada
David Lynch, 1997, United States
Gaspar Noé, 2002, France
Alain Resnais, 1956, France
Ingmar Bergman, 1966, Sweden
Chris Marker, 1962, France
Mickael Kummer, 2007, France
Lars von Trier, 1998, Denmark
Lars von Trier, 2000, Denmark
Guy Maddin, 1992, Canada
