In the darkroom, 50 unexposed film strips were laid across a surface, upon which a frame of La sortie des ouvriers de l’usine Lumière was projected to create a new kind of film…
Stripping the Lumières’ famous first film of its figurative elements, Peter Tscherkassky’s experimental short playfully reinterprets the birth of cinema. The painstaking manipulation of film strips and the exposure process reimagine the medium in its purest form: a dance between light and darkness.
France
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Michael Snow, 1974, Canada
Pere Portabella, 1973, Spain
Alexandre Rockwell, 2013, United States
Andrew Kötting, 2017, United Kingdom
Sergei Loznitsa, 2002, Russia
Mario Ruspoli,Chris Marker, 1972, France
Isabelle Prim, 2014, France
Alice Colomer-Kang, 2012, France
Bertrand Mandico, 2014, France
Nicholas Ray, 1973, United States
