The film records the removal of furniture and objects from the building, leaving visitors able to move freely amongst its empty spaces and a silence charged with feeling.
An evocative account of the emptying of Spanish poet Federico García Lorca’s house. By capturing the removal of objects, art, and furniture from this house-turned-museum, Pere Portabella reflects on the significance of absence, and makes it tangible by linking it to the poet’s belongings.
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Hans Richter, 1926, Germany
Christoph Schlingensief, 1968, West Germany
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Velu Viswanadhan, 2010, France
Frieder Schlaich, 2014, Germany
Joel Wanek, 2013, United States
Yang Lina, 2008, China
Pierre Mazingarbe, 2012, France