The final film from groundbreaking auteur Chantal Akerman is a portrait of her relationship with her mother, Natalia, a Holocaust survivor and familiar presence in many of her daughter’s films.
In what would become Akerman’s final film, the great director returns home to visit her aging mother. Echoing the evocative portrait of female domesticity of her second feature, Jeanne Dielman, this masterpiece of intimacy is a profound reflection on family history and mother-daughter relations.
Palestinian Territories
Bosnia & Herzegovina
Paraguay
Zimbabwe
Bulgaria
Senegal
Lebanon
Zambia
Bolivia
Cambodia
Cameroon
Cuba
Mozambique
Serbia
Syria
Nepal
Guatemala
Dominican Republic
Switzerland
Italy
Malaysia
Togo
Trinidad & Tobago
Libya
Jamaica
Bahrain
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Robert J. Flaherty, 1922, United States
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