When a young opera singer takes over the leading role in an avant-garde presentation of Macbeth, she triggers the madness of a crazed fan who repeatedly forces the diva to watch the brutal murders of her friends. Will the woman’s recurring nightmare hold the key to the identity of this psychopath?
Cinema has seen its share of Phantom of the Opera adaptations, and yet Dario Argento’s cacophonous telling entirely renews the veracity of a classic tale. Released in the U.S. as Terror at the Opera, this revision moves to beyond the rules of 1980s horror to a realm of pure, ecstatic terror.
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William Friedkin, 2006, United States
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