Two theatre troupes rehearse Aeschylus. A young deaf-mute wants to uncover a mysterious secret society. A young woman seduces men in order to rob them. As the characters’ paths crisscross throughout the film’s puzzle-box structure, a portrait of post-May ’68 Paris and its dashed dreams emerges.
The show must go on! We get deeper into the mysterious wonders of this impossible object, a monumental work that resists pigeonholing as much as it defies storytelling, whose plot seems to be shaped as a hidden secret. In Rivette’s words: “the film swallows everything up and finally auto-destructs”.
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Libia Stella Gómez, 2005, Colombia
Peter Greenaway, 1988, United Kingdom
Ken Loach, 2007, United Kingdom
Jean Becker, 2007, France
Bill Plympton, 1997, United States
Juan Andrés Arango Garcia, 2016, Canada
Alberto Lattuada, 1978, Italy
Andrew Bujalski, 2005, United States
Catherine Breillat, 2013, France
Alejo Moguillansky,Fia-Stina Sandlund, 2014, Argentina
