Consisting of 25 sections, each segment is a meditation–often comic–about the nature of recorded sound, both abstract and representational, about the many possible kinds of audiovisual relationships, and about their philosophical implications.
Canadian film titan Michael Snow pulls out all the stops in this epic, playful experiment in language and representation, exploring the myriad possibilities of sound and image. Featuring the crème-de-la-crème of the avant-garde art world, Snow called it a “musical comedy”—and trust us, it’s funny!
Guy Maddin, 2007, Canada
David Lynch, 1997, United States
Gaspar Noé, 2002, France
Abbas Kiarostami, 2002, Iran
David Lynch, 1977, United States
Dziga Vertov, 1929, Soviet Union
Ingmar Bergman, 1966, Sweden
Guy Maddin, 1992, Canada
David Cronenberg, 1991, Canada
Vilgot Sjöman, 1967, Sweden