After the theft of his motorcycle, Lucio bums aimlessly around Buenos Aires drifting from one arcade and record store to the next, indulging in short chats with friends and, more often, setting out onto the streets alone.
Martín Rejtman’s debut is today regarded as the film that launched the New Argentine Cinema, and prefigures his trademark style of comedies imbued with a languid melancholy and hilariously deadpan humor. Presented in its recent restoration, this now-cult film is always ripe for (re)discovery.
Bulgaria
Senegal
Lebanon
Zambia
Bolivia
Cambodia
Cameroon
Cuba
Mozambique
Serbia
Syria
Nepal
Guatemala
Dominican Republic
Congo - Kinshasa
Belarus
Sri Lanka
Hungary
Yemen
Greece
Switzerland
Czechia
Kenya
Tanzania
Ecuador
Uganda
Côte d’Ivoire
Sudan
Romania
Kazakhstan
Chile
Peru
Netherlands
Myanmar (Burma)
Uzbekistan
Iraq
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Algeria
Venezuela
Taiwan
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Ukraine
Colombia
Slovakia
Costa Rica
Oman
Kuwait
Liechtenstein
Luxembourg
Lithuania
Armenia
Estonia
Iceland
Cyprus
Afghanistan
Tunisia
Austria
Azerbaijan
United Arab Emirates
South Africa
Argentina
Nigeria
Bangladesh
Vietnam
Egypt
Saudi Arabia
Philippines
Pakistan
Iran
Jordan
Hong Kong SAR China
Israel
Portugal
Germany
Mexico
Japan
Russia
Brazil
China
Indonesia
Poland
Ireland
Singapore
Finland
Norway
Denmark
Sweden
Belgium
Italy
Thailand
Spain
India
South Korea
Turkey
France
New Zealand
Australia
United Kingdom
Canada
United States
Latvia
Malaysia
Togo
Trinidad & Tobago
Libya
Jamaica
Bahrain
Nicaragua
Slovenia
Niger
Kyrgyzstan
Mali
Uruguay
Georgia
Panama
Madagascar
Qatar
Malawi
Rwanda
Puerto Rico
Croatia
Honduras
Burkina Faso
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Palestinian Territories
Bosnia & Herzegovina
Paraguay
Zimbabwe
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Michelangelo Antonioni, 1957, Italy
Takeshi Kitano, 1996, Japan
Yeşim Ustaoğlu, 1999, Turkey
Erick Zonca, 2008, France
Johnnie To, 2008, Hong Kong
Götz Spielmann, 2008, Austria
Wong Kar Wai, 2004, Hong Kong
Vincent Paronnaud,Marjane Satrapi, 2007, France
Walter Salles, 2004, Argentina
Harmony Korine, 2007, United States
