After the theft of his motorcycle, Lucio bums aimlessly around Buenos Aires drifting from one arcade and record store to the next, indulging in short chats with friends and, more often, setting out onto the streets alone.
Martín Rejtman’s debut is today regarded as the film that launched the New Argentine Cinema, and prefigures his trademark style of comedies imbued with a languid melancholy and hilariously deadpan humor. Presented in its recent restoration, this now-cult film is always ripe for (re)discovery.
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Peter Masterson, 1985, United States
Lynn Shelton, 2006, United States
Christophe Honoré, 2010, France
Julian Radlmaier, 2014, Germany
Yann Gonzalez, 2012, France
Margarethe von Trotta, 2012, Germany
Justine Triet, 2013, France
Li Hongqi, 2010, China
Chloé Zhao, 2017, United States
Lav Diaz, 2005, Philippines
