To the sound of trumpets, a collection of pulverized antique bric-a-brac begins to reassemble itself, revealing a stuffed owl, a cornet, a hamper, books, a doll, a plate – and a bomb.
Gloriously subversive, Borowczyk’s stop-motion act of reconstructing a deconstructed series of household objects—before blowing them all up with nihilist glee—anticipates the work of Jan Svankmajer and the Quay brothers. Stunningly tactile, there’s little escaping the film’s political implications.
Qatar
Malawi
Rwanda
Croatia
Honduras
Burkina Faso
Moldova
Palestinian Territories
Bosnia & Herzegovina
Paraguay
Zimbabwe
Bulgaria
Senegal
Lebanon
Zambia
Bolivia
Cambodia
Cameroon
Cuba
Mozambique
Serbia
Syria
Nepal
Guatemala
Dominican Republic
Congo - Kinshasa
Belarus
Sri Lanka
Hungary
Yemen
Greece
Switzerland
Czechia
Kenya
Tanzania
Ecuador
Uganda
Côte d’Ivoire
Sudan
Romania
Kazakhstan
Chile
Peru
Netherlands
Myanmar (Burma)
Uzbekistan
Iraq
Ethiopia
Algeria
Venezuela
Taiwan
Morocco
Ukraine
Colombia
Slovakia
Costa Rica
Oman
Kuwait
Liechtenstein
Luxembourg
Lithuania
Armenia
Estonia
Iceland
Cyprus
Afghanistan
Tunisia
Austria
Azerbaijan
United Arab Emirates
South Africa
Argentina
Nigeria
Bangladesh
Vietnam
Egypt
Saudi Arabia
Philippines
Pakistan
Iran
Jordan
Hong Kong SAR China
Israel
Portugal
Germany
Mexico
Japan
Russia
Brazil
China
Indonesia
Poland
Ireland
Singapore
Finland
Norway
Denmark
Sweden
Belgium
Italy
Thailand
Spain
India
South Korea
Turkey
France
New Zealand
Australia
Canada
Latvia
Malaysia
Togo
Trinidad & Tobago
Libya
Jamaica
Bahrain
Nicaragua
Slovenia
Niger
Kyrgyzstan
Mali
Uruguay
Georgia
Panama
Madagascar
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Pere Portabella, 1972, Spain
Andrew Kötting, 2017, United Kingdom
Peter Greenaway, 1988, United Kingdom
Bertrand Mandico, 2016, France
María José Alós, 2014, Mexico
Carlos Osuna, 2011, Colombia
Bill Plympton, 1989, United States
Pere Portabella, 1969, Spain
Peter Tscherkassky, 2006, Austria
Miguel Gomes, 2013, Portugal
