A small-town Southern white prostitute has to decide between her lust for a black man and her meal-ticket, the sleazy revival-tent preacher who’s just rolled into town.
This extraordinarily tawdry sleaze-fest of Southern Gothic melodrama emerged from the disturbed mind of exploitation legend (and circus freak) K. Gordon Murray, working alongside Cuban director Joseph G. Prieto. So much about this film that is just plain wrong it’s hard to know where to start…
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