A lonesome car. The wind is whistling. A door of an undefined building opens—is it a holiday bungalow, a shed or a ruin? A woman is standing at the window. The heat of an idle day of holiday, perhaps. The South, a place of longing.
Christian Petzold’s predilection for genre is apparent even in his earliest, self-funded works. This quasi-documentary sketch finds abandoned books by Jim Thompson and James M. Cain flapping in the breeze. An abstract, 8mm study in montage, it remains Petzold’s most radical experiment in form.
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Guy Maddin, 2007, Canada
Alain Resnais, 1956, France
Dziga Vertov, 1929, Soviet Union
Chris Marker, 1983, France
Chris Marker, 1962, France
Mickael Kummer, 2007, France
Jia Zhangke, 2008, China
Jørgen Leth,Lars von Trier, 2003, Denmark
Robert J. Flaherty, 1922, United States
Éric Rohmer, 1963, France
