The symbolic centre of The Door is the front entrance of the protagonist’s home. As she opens it to greet friends, she is shrouded in an oblique sadness. Clothing is also a symbol of renewal, each change of costume charting our heroine’s emergence from a chrysalis of sadness.
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Esteban Sapir, 2007, Argentina
Andrey Zvyagintsev, 2003, Russia
Luis Buñuel, 1930, France
Takeshi Kitano (Beat Takeshi), 1996, Japan
Mike Leigh, 2008, United Kingdom
Erick Zonca, 2008, France
Johnnie To, 2008, Hong Kong
Götz Spielmann, 2008, Austria
Aditya Assarat, 2007, Thailand
Wong Kar Wai, 2004, Hong Kong
