Antonis arrives in a hotel near the sea. It is winter, the hotel is closed and Antonis wanders alone, with all the time in the world – until the television announces the disappearance of the famous journalist Antonis Paraskevas.
Contemporary Greek cinema has been showing a country and culture in crisis with a darkly droll, absurdist perspective, that’s led critics to dub this fresh crop of films as the “Greek Weird Wave.” Weird indeed: Eternal Return is an offbeat Berlinale gem with squirmingly satirical motives.
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Liu Shu, 2012, China
Peter Greenaway, 1988, United Kingdom
Ken Loach, 2007, United Kingdom
Jean Becker, 2007, France
Kiyoshi Kurosawa, 2008, Japan
Bill Plympton, 1997, United States
Juan Andrés Arango Garcia, 2016, Canada
Andrew Bujalski, 2009, United States
Catherine Breillat, 2013, France
Michael Haneke, 2005, France