Eun-yi is hired as a maid in a mansion owned by a wealthy businessman. He quickly starts seducing his employee who seemingly has little choice but to comply with his sexual advances. Soon the women of the family plot against Eun-yi who must fight an equally devious battle to protect herself.
One of South Korea’s most consummate and sly genre dramatists, Im Sang-soo made his name with the excellent The President’s Last Bang and was upgraded to the Cannes Film Festival’s competition with The Housemaid, a remake of the 1960 classic and a torrid immersion into Korean class dynamics.
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Li Hongqi, 2010, China
Anthony Chen, 2013, Singapore
Jafar Panahi, 2018, Iran
Sebastián Hofmann, 2013, Mexico
Bertrand Mandico, 2016, France
Michel Gondry, 2012, United Kingdom
Guy Maddin, 1988, Canada
Celia Rowlson-Hall, 2015, United States
Hou Hsiao-hsien, 2003, Japan
Bruno Dumont, 2006, France