In 1977 France, the Ministry of the Future chooses two “normal,” white, middle-class citizens for a national experiment. They will be monitored and displayed on television for six months in a model apartment outfitted with state-of-the-art products and nonstop surveillance.
As with his photo work and seen in his alignment with Chris Marker, William Klein’s films are strongly political. In this pre-Kardashians 1970s view of a French Big Brother, Klein uses Alain Resnais’ iconic actor André Dussollier and comedian Anémone to look at the ever-thinning privacy of mankind.
Togo
Trinidad & Tobago
Libya
Jamaica
Bahrain
Nicaragua
Slovenia
Niger
Kyrgyzstan
Mali
Uruguay
Georgia
Panama
Madagascar
Qatar
Malawi
Rwanda
Puerto Rico
Croatia
Honduras
Burkina Faso
Moldova
Palestinian Territories
Bosnia & Herzegovina
Paraguay
Zimbabwe
Bulgaria
Senegal
Lebanon
Zambia
Bolivia
Cambodia
Cameroon
Cuba
Mozambique
Serbia
Syria
Nepal
Guatemala
Dominican Republic
Congo - Kinshasa
Belarus
Sri Lanka
Hungary
Yemen
Greece
Switzerland
Czechia
Kenya
Tanzania
Ecuador
Uganda
Côte d’Ivoire
Sudan
Romania
Kazakhstan
Chile
Peru
Netherlands
Myanmar (Burma)
Uzbekistan
Iraq
Ethiopia
Algeria
Venezuela
Taiwan
Morocco
Ukraine
Colombia
Slovakia
Costa Rica
Oman
Kuwait
Liechtenstein
Luxembourg
Lithuania
Armenia
Estonia
Iceland
Cyprus
Afghanistan
Tunisia
Austria
Azerbaijan
United Arab Emirates
South Africa
Argentina
Nigeria
Bangladesh
Vietnam
Egypt
Saudi Arabia
Philippines
Pakistan
Iran
Jordan
Hong Kong SAR China
Israel
Portugal
Japan
Russia
Brazil
China
Indonesia
Malaysia
Poland
Ireland
Singapore
Finland
Norway
Denmark
Sweden
Belgium
Italy
Thailand
Spain
India
South Korea
Turkey
France
New Zealand
Australia
Canada
United States
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Buster Keaton,Clyde Bruckman, 1926, United States
Luis Buñuel, 1930, France
Harmony Korine, 2007, United States
Wim Wenders, 1987, West Germany
Jim Jarmusch, 1991, France
Jim Jarmusch, 1984, United States
Federico Fellini, 1960, Italy
Lucrecia Martel, 2001, Argentina
Jean Renoir, 1939, France
Luis Buñuel, 1972, France
