Perception is the key to Sergei Loznitsa’s wordless black and white film-essay The Settlement, which gradually envelops the viewer in the day-to-day activities of a rural mental institution in Russia.
Sergei Loznitsa’s award-winning first feature is a black-and-white study on behavior that plays with the rules of perception. A calm observation of the routine of a group of mentally disturbed patients and their harmonious presence in nature becomes an atmospheric, reflective cinematic experience.
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Raymonde Carasco, 1999, France
Heinz Emigholz, 2005, Germany
Manu Gerosa, 2015, Italy
Geneviève Hamon,Jean Painlevé, 1964, France
Anna Marziano, 2011, France
Natalia Almada, 2011, Mexico
Joana Preiss, 2013, France
Heinz Emigholz, 2000, Germany
Caveh Zahedi, 2012, United States
Iván Castiñeiras Gallego, 2015, France
