Perception is the key to Sergei Loznitsa’s wordless black and white film-essay The Settlement, which gradually envelops the viewer in the day-to-day activities of a rural mental institution in Russia.
Sergei Loznitsa’s award-winning first feature is a black-and-white study on behavior that plays with the rules of perception. A calm observation of the routine of a group of mentally disturbed patients and their harmonious presence in nature becomes an atmospheric, reflective cinematic experience.
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Matthew Bate, 2015, Australia
Cédric Dupire,Gaspard Kuentz, 2014, France
Pere Portabella, 1973, Spain
Heinz Emigholz, 2000, Germany
Idalmis Del Risco, 2015, Mexico
Randa Maroufi, 2015, France
Mathieu Zeitindjioglou, 2011, France
Heinz Emigholz, 2005, Germany
William Klein, 1969, France
Pere Portabella, 2003, Spain
