Perception is the key to Sergei Loznitsa’s wordless black and white film-essay The Settlement, which gradually envelops the viewer in the day-to-day activities of a rural mental institution in Russia.
Sergei Loznitsa’s award-winning first feature is a black-and-white study on behavior that plays with the rules of perception. A calm observation of the routine of a group of mentally disturbed patients and their harmonious presence in nature becomes an atmospheric, reflective cinematic experience.
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Heinz Emigholz, 2005, Germany
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Geneviève Hamon,Jean Painlevé, 1964, France
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Natalia Almada, 2011, Mexico
Joana Preiss, 2013, France
Heinz Emigholz, 2000, Germany
Caveh Zahedi, 2012, United States
Iván Castiñeiras Gallego, 2015, France