In contemporary Mexico City, a lavish high society wedding is interrupted by violent rioters who take the house by siege. It soon becomes apparent that this seemingly random attack is part of a violent, nationwide uprising, as one political system collapses and a more harrowing replacement arises.
Mexican cinema’s foremost provocateur Michel Franco lobs a bomb of dystopian chaos and outrage into cinemas this week with his Venice Silver Lion-winning thriller. An electrifying tempest of working-class revolution with a sting in its tail, New Order is a political allegory of apocalyptic potency.
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King Vidor, 1926, United States
Mehdi Ben Attia, 2009, France
Jonathan Demme, 2013, United States
Olivier Assayas, 2010, France
Roberto Gavaldón, 1959, Mexico
Paolo Sorrentino, 2008, Italy
Ole Bornedal, 2002, Norway
Wang Xiaoshuai, 2014, China
Joe Swanberg, 2007, United States
Claude Chabrol, 1973, France