When Ryuhei is dumped from his job, his family’s happy life is put at risk. Unwilling to accept the shame of unemployment, he decides not to tell anyone, instead leaving home each morning in suit and tie with briefcase, spending his days searching for work and lining up for soup with the homeless.
If any movie changed the perception that Kiyoshi Kurosawa only excelled at horror films, this is it: a domestic drama—the hallowed realm of Ozu—but reinvented. A prizewinner at Cannes, he scored his biggest hit yet with an unusual blend of redemptive family story, dystopian dread, and deadpan humor.
Andrey Zvyagintsev, 2003, Russia
Takeshi Kitano, 1996, Japan
Jia Zhangke, 1998, China
Mike Leigh, 2008, United Kingdom
Johnnie To, 2008, Hong Kong
Götz Spielmann, 2008, Austria
Aditya Assarat, 2007, Thailand
Wong Kar Wai, 2004, Hong Kong
Vincent Paronnaud,Marjane Satrapi, 2007, France
Michael Haneke, 2001, Austria