In the ’90s, Laurence tells Fred that she identifies as a woman. Over ten years, in spite of the odds, in spite of each other, the couple confront the prejudices of their friends, ignore the council of their families, and brave the bigotry of the society they offend.
Circling gender and romance, Xavier Dolan’s prodigious third film views the complex journey of transition through the vibrant and baroque lens of melodrama. Jumping freely between different timelines, Laurence Anyways beautifully articulates the kaleidoscopic and nonlinear nature of self-discovery.
New Zealand
Australia
United Kingdom
Latvia
United Arab Emirates
South Africa
Argentina
Nigeria
Bangladesh
Vietnam
Egypt
Saudi Arabia
Philippines
Pakistan
Iran
Jordan
Hong Kong SAR China
Portugal
Mexico
Brazil
China
Indonesia
Poland
Singapore
Finland
Norway
Denmark
Sweden
Thailand
India
South Korea
Malaysia
Togo
Trinidad & Tobago
Libya
Jamaica
Bahrain
Nicaragua
Slovenia
Niger
Mali
Uruguay
Panama
Madagascar
Qatar
Malawi
Rwanda
Croatia
Honduras
Burkina Faso
Palestinian Territories
Bosnia & Herzegovina
Paraguay
Zimbabwe
Bulgaria
Senegal
Lebanon
Zambia
Bolivia
Cambodia
Cameroon
Cuba
Mozambique
Serbia
Syria
Nepal
Guatemala
Dominican Republic
Congo - Kinshasa
Sri Lanka
Hungary
Yemen
Greece
Czechia
Kenya
Tanzania
Ecuador
Uganda
Côte d’Ivoire
Sudan
Romania
Chile
Peru
Myanmar (Burma)
Iraq
Ethiopia
Algeria
Venezuela
Taiwan
Morocco
Colombia
Slovakia
Costa Rica
Oman
Kuwait
Lithuania
Estonia
Iceland
Cyprus
Afghanistan
Tunisia
Puerto Rico
United States
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Esteban Sapir, 2007, Argentina
Andrey Zvyagintsev, 2003, Russia
Luis Buñuel, 1930, France
Takeshi Kitano (Beat Takeshi), 1996, Japan
Mike Leigh, 2008, United Kingdom
Erick Zonca, 2008, France
Johnnie To, 2008, Hong Kong
Götz Spielmann, 2008, Austria
Aditya Assarat, 2007, Thailand
Wong Kar Wai, 2004, Hong Kong
