A museum-quality replica of a historic elephant tusk is painstakingly created. The hands and tools of conservators in a number of different museums and laboratories embark on a creative process.
An opening quote from Kiarostami’s Certified Copy establishes the conceptual agenda for this tactile study in conservation and replication. Jessica Sarah Rinland employs intoxicating formal schemes for her most ambitious project to date: an evocatively reflexive ode to hands-on artistic practice.
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Esteban Sapir, 2007, Argentina
Luis Buñuel, 1930, France
Guy Maddin, 2007, Canada
David Lynch, 1997, United States
David Lynch, 2006, United States
Gaspar Noé, 2002, France
Lars von Trier, 2003, Denmark
David Lynch, 1977, United States
Dennis Hopper, 1971, United States
Dziga Vertov, 1929, Soviet Union
