A museum-quality replica of a historic elephant tusk is painstakingly created. The hands and tools of conservators in a number of different museums and laboratories embark on a creative process.
An opening quote from Kiarostami’s Certified Copy establishes the conceptual agenda for this tactile study in conservation and replication. Jessica Sarah Rinland employs intoxicating formal schemes for her most ambitious project to date: an evocatively reflexive ode to hands-on artistic practice.
Guy Maddin, 2007, Canada
David Lynch, 1997, United States
Gaspar Noé, 2002, France
Dziga Vertov, 1929, Soviet Union
Ingmar Bergman, 1966, Sweden
Chantal Akerman, 1975, Belgium
Charlie Kaufman, 2008, United States
Lisandro Alonso, 2008, Argentina
Lars von Trier, 2000, Denmark
Jørgen Leth,Lars von Trier, 2003, Denmark