An urgent reflection on indigenous sovereignty, the undead violence of museum archives, and postmortem justice through the case of the “Kennewick Man,” a prehistoric Paleo-American man whose remains were found in Kennewick, Washington, in 1996.
Mixing archival footage, CGI, and performance art, this striking short is a reproach to the institutional legitimization of white supremacy. The film questions the scientific authority to determine fact and evidence by examining the anthropological tendency to treat human remains as artefacts.
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Guy Maddin, 2007, Canada
Alain Resnais, 1956, France
Dziga Vertov, 1929, Soviet Union
Chris Marker, 1983, France
Chris Marker, 1962, France
Mickael Kummer, 2007, France
Jia Zhangke, 2008, China
Jørgen Leth,Lars von Trier, 2003, Denmark
Robert J. Flaherty, 1922, United States
Éric Rohmer, 1963, France
