An urgent reflection on indigenous sovereignty, the undead violence of museum archives, and postmortem justice through the case of the “Kennewick Man,” a prehistoric Paleo-American man whose remains were found in Kennewick, Washington, in 1996.
Mixing archival footage, CGI, and performance art, this striking short is a reproach to the institutional legitimization of white supremacy. The film questions the scientific authority to determine fact and evidence by examining the anthropological tendency to treat human remains as artefacts.
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Walerian Borowczyk, 1968, France
Apichatpong Weerasethakul, 2012, Thailand
Miguel Gomes, 2013, Portugal
Yann Gonzalez, 2009, France
Lucy Walker,João Jardim,Karen Harley, 2010, Brazil
Rob Epstein,Jeffrey Friedman, 2000, Germany
Walerian Borowczyk, 1975, France
Kevin Macdonald, 2018, United Kingdom
Jim Shedden, 1998, Canada
