A consistent thread is discernible in Tscherkassky’s oeuvre involving a game of pivoting between the just recognizable and the just no longer recognizable filmic image – it is about the desire to see. An example of this is Erotique.
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Eric Baudelaire, 2009, France
Alain Robbe-Grillet, 1970, France
Charlie Chaplin, 1916, United States
Vincent Hazard,Jérémie Boucris, 2007, France
Vsevolod Pudovkin,Nikolai Shpikovsky, 1925, Soviet Union
Sergei Parajanov,Dodo Abashidze, 1988, Soviet Union
Lav Diaz, 2012, Philippines
Annarita Zambrano, 2013, France
Mario Ruspoli, 1961, France
Florence Dauman, 2010, France