A consistent thread is discernible in Tscherkassky’s oeuvre involving a game of pivoting between the just recognizable and the just no longer recognizable filmic image – it is about the desire to see. An example of this is Erotique.
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Ico Costa, 2012, Portugal
Dziga Vertov, 1924, Soviet Union
Bill Plympton, 1991, United States
João Pedro Rodrigues, 1997, Portugal
Christoph Schlingensief, 1977, West Germany
Timothy Quay,Stephen Quay, 1993, United Kingdom
Pere Portabella, 1968, Spain
Mario Ruspoli,Chris Marker, 1972, France
Amos Gitaï, 2009, France
Frank Simeone,John Chapman,Chris Marker, 1981, France
