A consistent thread is discernible in Tscherkassky’s oeuvre involving a game of pivoting between the just recognizable and the just no longer recognizable filmic image – it is about the desire to see. An example of this is Erotique.
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Frieder Schlaich, 2014, Germany
Jean Painlevé, 1947, France
Bertrand Mandico, 2012, France
Hans Richter, 1928, Germany
Bill Plympton, 1989, United States
Bill Plympton, 1991, United States
Christoph Schlingensief, 1977, West Germany
Miguel Gomes, 1999, Portugal
Karl Valentin, 1934, Germany
Stephen Quay,Timothy Quay, 1987, United Kingdom
