A consistent thread is discernible in Tscherkassky’s oeuvre involving a game of pivoting between the just recognizable and the just no longer recognizable filmic image – it is about the desire to see. An example of this is Erotique.
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Walerian Borowczyk, 1963, France
Jean Painlevé, 1929, France
Lav Diaz, 2012, Philippines
Antonio Mendez Esparza, 2009, Spain
Nicholas Ray, 1973, United States
Philippe Garrel, 1968, France
Sergei Loznitsa, 2002, Russia
Louis Delluc, 1921, France
Isabelle Prim, 2014, France
Christoph Schlingensief, 1976, West Germany