A consistent thread is discernible in Tscherkassky’s oeuvre involving a game of pivoting between the just recognizable and the just no longer recognizable filmic image – it is about the desire to see. An example of this is Erotique.
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Miguel Gomes, 2013, Portugal
Gaspar Noé, 2009, France
Charlie Chaplin, 1917, United States
Ely Dagher, 2015, Lebanon
Florence Dauman, 2010, France
Nikos Nikolaidis, 1990, Greece
Raúl Ruiz, 1986, France
Chris Marker, 1956, France
Pere Portabella, 2016, Spain
Bill Plympton, 1989, United States