A consistent thread is discernible in Tscherkassky’s oeuvre involving a game of pivoting between the just recognizable and the just no longer recognizable filmic image – it is about the desire to see. An example of this is Erotique.
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Esteban Sapir, 2007, Argentina
Luis Buñuel, 1930, France
Guy Maddin, 2007, Canada
David Lynch, 1997, United States
David Lynch, 2006, United States
Gaspar Noé, 2002, France
Lars von Trier, 2003, Denmark
David Lynch, 1977, United States
Alain Resnais, 1956, France
Dennis Hopper, 1971, United States
