The starting point of this film is a book of unfilmed scripts by Antonioni: That Bowling Alley on the Tiber. This film essay is ‘acted out’ by the real-life critic Philippe Azoury, who plays a non-existent critic discussing these non-existent films from Antonioni’s non-existent ‘Japanese period’.
Baudelaire’s The Makes is an inventive, amusing reflection on the interchangeability of reality and fiction. This love letter to Antonioni is enacted through a critical commentary of his apocryphal Japan period. This is a film that doesn’t look like a film and talks about films that don’t exist!
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Christine Molloy,Joe Lawlor, 2016, Ireland
William Klein, 1969, France
Luc Moullet, 2010, France
Johan Grimonprez, 2009, Belgium
Clément Cogitore, 2007, Switzerland
Isabelle Prim, 2014, France
Vincent Hazard,Jérémie Boucris, 2007, France
Frieder Schlaich, 2014, Germany
Walerian Borowczyk, 1963, France
Thom Andersen, 2003, United States
