The starting point of this film is a book of unfilmed scripts by Antonioni: That Bowling Alley on the Tiber. This film essay is ‘acted out’ by the real-life critic Philippe Azoury, who plays a non-existent critic discussing these non-existent films from Antonioni’s non-existent ‘Japanese period’.
Baudelaire’s The Makes is an inventive, amusing reflection on the interchangeability of reality and fiction. This love letter to Antonioni is enacted through a critical commentary of his apocryphal Japan period. This is a film that doesn’t look like a film and talks about films that don’t exist!
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Guy Maddin, 2007, Canada
Alain Resnais, 1956, France
Chris Marker, 1983, France
Chris Marker, 1962, France
Mickael Kummer, 2007, France
Jørgen Leth,Lars von Trier, 2003, Denmark
Éric Rohmer, 1963, France
Albert Lamorisse, 1956, France
Maya Deren,Alexander Hammid, 1943, United States
Stephen Kijak, 2006, United Kingdom
