Four episodes chronicle Cuba’s ascent from colonialist degradation and totalitarian rule of Batista’s regime to a revolution that spreads across the country’s classes and regional lines.
Originally commissioned as propaganda, I Am Cuba angered both its Soviet backers and its Cuban audience. All but forgotten until its rediscovery 30 years later, Mikhail Kalatozov’s film is now recognized as a poignant, unclassifiable masterwork, and famed for its breathtaking tracking shots.
Ireland
Finland
Norway
Denmark
Sweden
Belgium
New Zealand
Australia
United Kingdom
Netherlands
Luxembourg
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Roland Klick, 1983, West Germany
Éric Rohmer, 1996, France
Shôhei Imamura, 1983, Japan
Peter Greenaway, 2007, United Kingdom
Mamoru Oshii, 2004, Japan
Sophie Letourneur, 2012, France
Abram Room, 1927, Soviet Union
