Four episodes chronicle Cuba’s ascent from colonialist degradation and totalitarian rule of Batista’s regime to a revolution that spreads across the country’s classes and regional lines.
Originally commissioned as propaganda, I Am Cuba angered both its Soviet backers and its Cuban audience. All but forgotten until its rediscovery 30 years later, Mikhail Kalatozov’s film is now recognized as a poignant, unclassifiable masterwork, and famed for its breathtaking tracking shots.
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Radley Metzger, 1970, Italy
František Vláčil, 1967, Czechoslovakia
Hélène Angel, 1999, France
Pedro Almodóvar, 2016, Spain
Humberto Solás, 1968, Cuba
Thomas Vinterberg, 2012, Denmark
Sergei Parajanov, 1965, Soviet Union
Gilles Cuvelier, 2010, France
Boris Barnet, 1927, Soviet Union
Tommy Weber, 2016, France