Argentina, 1980. Private banker Yvan arrives from Geneva to replace a colleague who has mysteriously disappeared in military-ruled Buenos Aires. Moving through a society under surveillance, he finds himself untangling a sinister web of colonialism, high finance, and a nation’s “Dirty War”.
So riveting, sly, and sophisticated is Azor, it’s incredible to think that it’s Swiss filmmaker Andreas Fontana’s debut feature. Set in the vampirically elegant, high-finance world of Argentina’s ultra-elites, this icily controlled conspiracy thriller holds its tension like an unsprung bear trap.
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Claude Berri, 1986, France
Mick Jackson, 1984, United Kingdom
Marzieh Makhmalbaf, 2000, Iran
Bertrand Mandico, 2013, France
Sergio Corbucci, 1966, Italy
Rosa von Praunheim, 1971, West Germany
Mia Hansen-Løve, 2011, France
Mehdi Ben Attia, 2009, France
Krzysztof Zanussi, 1969, Poland
Juan López Moctezuma, 1975, United States
