Argentina, 1980. Private banker Yvan arrives from Geneva to replace a colleague who has mysteriously disappeared in military-ruled Buenos Aires. Moving through a society under surveillance, he finds himself untangling a sinister web of colonialism, high finance, and a nation’s “Dirty War”.
So riveting, sly, and sophisticated is Azor, it’s incredible to think that it’s Swiss filmmaker Andreas Fontana’s debut feature. Set in the vampirically elegant, high-finance world of Argentina’s ultra-elites, this icily controlled conspiracy thriller holds its tension like an unsprung bear trap.
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Claudia Llosa, 2009, Peru
Ilmar Raag,Dmitry Sheleg, 2014, Russia
Tomas Alfredson, 2011, United Kingdom
Alain Robbe-Grillet, 1970, France
Mia Hansen-Løve, 2011, France
Darezhan Omirbayev, 2012, Kazakhstan
Takeshi Kitano (Beat Takeshi), 2002, Japan
Hélène Angel, 1999, France
João Pedro Rodrigues, 2005, Portugal
Martín Rejtman, 1999, Argentina