Michele criticizes the film industry and its inhabitants and is particularly embattled with a Neapolitan director making a musical about the 1968 student demonstrations. At the same time, Michele has a creative block and struggles to finish his film titled Freud’s Mother.
Nanni Moretti’s self-inquiry into filmmaking, political ennui, and men’s relations with their mothers. Sound familiar? Yet this film only expands on those which came before it with a more intimate confessional style aimed at the state of modern Italy.
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Joshua Gil, 2015, Mexico
Nanni Moretti, 2011, Italy
Olivia Silver, 2012, United States
Darragh Byrne, 2010, Ireland
Élise Girard, 2010, France
Roy Andersson, 2007, Sweden
Andrew Bujalski, 2013, United States
David Robert Mitchell, 2010, United States
Jean-Daniel Pollet, 1968, France
Peter Fleischmann, 1969, West Germany
