Michele criticizes the film industry and its inhabitants and is particularly embattled with a Neapolitan director making a musical about the 1968 student demonstrations. At the same time, Michele has a creative block and struggles to finish his film titled Freud’s Mother.
Nanni Moretti’s self-inquiry into filmmaking, political ennui, and men’s relations with their mothers. Sound familiar? Yet this film only expands on those which came before it with a more intimate confessional style aimed at the state of modern Italy.
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Leyla Bouzid, 2015, France
Sergei Parajanov, 1965, Soviet Union
Xavier Beauvois, 2005, France
Sergei Eisenstein,Grigori Aleksandrov, 1927, Soviet Union
Jacques Rivette, 1976, France
Lars von Trier, 2006, Denmark
Pier Paolo Pasolini, 1968, Italy
Aly Muritiba, 2011, Brazil
François Ozon, 2012, France
Sean Baker, 2012, United States
