Michele criticizes the film industry and its inhabitants and is particularly embattled with a Neapolitan director making a musical about the 1968 student demonstrations. At the same time, Michele has a creative block and struggles to finish his film titled Freud’s Mother.
Nanni Moretti’s self-inquiry into filmmaking, political ennui, and men’s relations with their mothers. Sound familiar? Yet this film only expands on those which came before it with a more intimate confessional style aimed at the state of modern Italy.
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Nadine Labaki, 2007, Lebanon
Paolo Zucca, 2013, Italy
Athina Rachel Tsangari, 2015, Greece
Aleksandr Balagura, 2012, Ukraine
Sue Brooks, 2003, Australia
Julian Radlmaier, 2014, Germany
Sergei Eisenstein,Grigori Aleksandrov, 1927, Soviet Union
Kitty Green, 2019, United States
Jacques Rivette, 2009, France
Justine Triet, 2013, France
