Michele criticizes the film industry and its inhabitants and is particularly embattled with a Neapolitan director making a musical about the 1968 student demonstrations. At the same time, Michele has a creative block and struggles to finish his film titled Freud’s Mother.
Nanni Moretti’s self-inquiry into filmmaking, political ennui, and men’s relations with their mothers. Sound familiar? Yet this film only expands on those which came before it with a more intimate confessional style aimed at the state of modern Italy.
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Martín Shanly, 2014, Argentina
João Pedro Rodrigues, 1997, Portugal
Mariano González, 2016, Argentina
Vittorio De Sica, 1952, Italy
Agnès Varda, 1988, France
Vincent Grashaw, 2013, United States
Takashi Miike, 2000, Japan
Guy Maddin, 1988, Canada
Ashim Ahluwalia, 2012, India
Bertrand Mandico, 2018, France
