Michele criticizes the film industry and its inhabitants and is particularly embattled with a Neapolitan director making a musical about the 1968 student demonstrations. At the same time, Michele has a creative block and struggles to finish his film titled Freud’s Mother.
Nanni Moretti’s self-inquiry into filmmaking, political ennui, and men’s relations with their mothers. Sound familiar? Yet this film only expands on those which came before it with a more intimate confessional style aimed at the state of modern Italy.
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Michelangelo Antonioni, 1957, Italy
Buster Keaton,Clyde Bruckman, 1926, United States
Luis Buñuel, 1930, France
Takeshi Kitano, 1996, Japan
Michel Gondry, 2008, United States
Erick Zonca, 2008, France
Johnnie To, 2008, Hong Kong
Götz Spielmann, 2008, Austria
Guy Maddin, 2007, Canada
Wong Kar Wai, 2004, Hong Kong
