In Return to Reason, Man Ray extended his experimentation with photography to the moving image, sprinkling salt and pepper onto one piece of film or pins onto another… The final segment introduces his legendary model, Kiki of Montparnasse, naked, her body illuminated in stripes of light.
Alternating between concealed, hidden, exposed and defamiliarized objects, shapes, and a swirl of geometric forms constitute this avant-garde short from Man Ray. In what he self-referentially dubbed a “rayograph,” Return to Reason builds and becomes a series of two and three dimensional sequences.
Burkina Faso
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Palestinian Territories
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Peter Greenaway, 1988, United Kingdom
Pere Portabella, 1968, Spain
Andrew Kötting, 2017, United Kingdom
Mario Ruspoli,Chris Marker, 1972, France
Frank Simeone,John Chapman,Chris Marker, 1981, France
Bertrand Mandico, 2014, France
María José Alós, 2014, Mexico
Hu Wei, 2012, France
Louis Delluc, 1922, France
Dziga Vertov, 1924, Soviet Union
