In Return to Reason, Man Ray extended his experimentation with photography to the moving image, sprinkling salt and pepper onto one piece of film or pins onto another… The final segment introduces his legendary model, Kiki of Montparnasse, naked, her body illuminated in stripes of light.
Alternating between concealed, hidden, exposed and defamiliarized objects, shapes, and a swirl of geometric forms constitute this avant-garde short from Man Ray. In what he self-referentially dubbed a “rayograph,” Return to Reason builds and becomes a series of two and three dimensional sequences.
Burkina Faso
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Clément Cogitore, 2007, Switzerland
Bertrand Mandico, 2013, France
Vincent Hazard,Jérémie Boucris, 2007, France
Katell Quillévéré, 2009, France
Jonas Mekas, 1981, United States
Peter Tscherkassky, 1999, Austria
Stewart McAllister,Humphrey Jennings, 1942, United Kingdom
Pedro Costa,Manoel de Oliveira,Aki Kaurismäki,Víctor Erice, 2012, Portugal
Guy Maddin, 2003, Canada
Bill Plympton, 1994, United States
