In Return to Reason, Man Ray extended his experimentation with photography to the moving image, sprinkling salt and pepper onto one piece of film or pins onto another… The final segment introduces his legendary model, Kiki of Montparnasse, naked, her body illuminated in stripes of light.
Alternating between concealed, hidden, exposed and defamiliarized objects, shapes, and a swirl of geometric forms constitute this avant-garde short from Man Ray. In what he self-referentially dubbed a “rayograph,” Return to Reason builds and becomes a series of two and three dimensional sequences.
Burkina Faso
Moldova
Palestinian Territories
Bosnia & Herzegovina
Paraguay
Zimbabwe
Bulgaria
Senegal
Lebanon
Zambia
Bolivia
Cambodia
Cameroon
Cuba
Mozambique
Serbia
Syria
Nepal
Guatemala
Dominican Republic
Congo - Kinshasa
Belarus
Sri Lanka
Hungary
Yemen
Greece
Switzerland
Czechia
Kenya
Tanzania
Ecuador
Uganda
Côte d’Ivoire
Sudan
Romania
Kazakhstan
Peru
Netherlands
Myanmar (Burma)
Uzbekistan
Iraq
Ethiopia
Algeria
Venezuela
Taiwan
Morocco
Ukraine
Colombia
Slovakia
Costa Rica
Oman
Kuwait
Liechtenstein
Luxembourg
Lithuania
Armenia
Estonia
Iceland
Cyprus
Afghanistan
Tunisia
Austria
Azerbaijan
United Arab Emirates
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Argentina
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Bangladesh
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Philippines
Pakistan
Iran
Jordan
Hong Kong SAR China
Israel
Portugal
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Mexico
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Finland
Norway
Denmark
Sweden
Belgium
Italy
Thailand
Spain
India
South Korea
Turkey
France
New Zealand
Australia
Canada
Latvia
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Guy Maddin, 2007, Canada
David Lynch, 1997, United States
Gaspar Noé, 2002, France
Abbas Kiarostami,Mania Akbari, 2002, Iran
Alain Resnais, 1956, France
Dziga Vertov, 1929, Soviet Union
Ingmar Bergman, 1966, Sweden
Chris Marker, 1962, France
Mickael Kummer, 2007, France
Apichatpong Weerasethakul, 2004, Thailand
