The recent history of Sicily is transformed into a kaleidoscopic disarray of images that rob television of its mythmaking potential. The film consists of scenes shot by a regional television station in the town of Catania between 1991 and 1994—an era of important political change.
A great example of how seemingly mundane footage can be reused to create a work of social importance, this exercise in visual history-telling uses a medium representative of popular culture as a tool for the reading of social movements and citizen engagement in a Sicilian city.
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Mathieu Amalric, 2010, France
Sebastian Dehnhardt, 2011, Germany
Pere Portabella, 1973, Spain
Natalia Almada, 2011, Mexico
Petri Luukkainen, 2012, Finland
Pere Portabella, 1971, Spain
Claude Lanzmann, 2013, France
Mario Ruspoli,Chris Marker, 1972, France
Chantal Akerman, 2015, Belgium
Denis Côté, 2012, Canada
